16)
The Field of Reeds was an almost unimaginably ideal version of Egypt where cultivated crops grew to extraordinary heights, trees bore succulent fruit, and where transfigured souls (who all appeared physically perfect and in the prime of life) wanted for nothing in the way of sustenance, luxuries, and even love. (202)
The Comfort of Eternity
For the greater part of Egypt's history, however, some version of the paradise of the Field of Reeds, reached after a judgment by a powerful god, prevailed. A wall painting from the tomb of the craftsman Sennedjem from the 19th Dynasty (1292-1186 BCE) depicts the soul's journey from earthly life to eternal bliss. Sennedjem is seen meeting the gods who grant him leave to pass on to paradise and is then depicted with his wife, Iyneferti, enjoying their time together in the Field of Reeds where they harvest wheat, go to work, plow their field, and harvest fruit from their trees just as they used to do on the earthly plane. Scholar Clare Gibson writes:The Field of Reeds was an almost unimaginably ideal version of Egypt where cultivated crops grew to extraordinary heights, trees bore succulent fruit, and where transfigured souls (who all appeared physically perfect and in the prime of life) wanted for nothing in the way of sustenance, luxuries, and even love. (202)